例句與造句

1. The funky clavinet riff played on a Hohner Clavinet model C, and the Moog synthesizer bass, were also performed by Wonder.
2. The bottom register is swampy synthesizer bass lines that openly emulate Parliament-Funkadelic; the upper end is often a lone keyboard line, whistling or blipping insouciantly.
3. It was the second single released from the record and reached number 13 on the Jump ", this song features keyboards almost entirely, and includes a synthesizer bass line.
4. Gustavson still plays the piano as his main instrument, but has augmented it with discreet electronics and occasional synthesizer bass, while Vespestad provides percussive textures or timekeeping as required.
5. It is a loose concept album warning the listener of falling into the " Placebo Syndrome, " which according to Flash Light ", which features a funky synthesizer bass line played in a Minimoog by keyboardist Bernie Worrell.
6. It's difficult to find synthesizer bass in a sentence. 用synthesizer bass造句挺難的
7. Jon Pareles of " The New York Times " described the production, writing " The bottom register is swampy synthesizer bass lines that openly emulate Parliament-Funkadelic; the upper end is often a lone keyboard line, whistling or blipping incessantly.
8. At this time, not only was Sk鰈d the bassist for the band, but he was also producing, editing, creating artwork, electronics, programming drums and beats, playing guitar, keyboards, accordion and synthesizer bass for the album " The Golden Age of Grotesque ".
9. Air's melodramatic " Planet Vega " could have been the backing track for a mid-' 80s ballad by Madonna or Duran Duran; Sean Lennon's " Winged Elephants " pairs a clatter of drumbeats with a rumbling Jupiter synthesizer bass line cribbed from " Thriller "-era Michael Jackson.
10. The lines " If you're fond of sand dunes and salty air / Quaint little villages here and there, " sung in Page's multi-tracked close-harmony, are repeated over and over, with the addition of synthesizer bass, slowed-down drums and a bluesy trombone solo to produce a chill-out track.
11. The Resonators can be heard in all their glory on the Space track " Blue Tears ", at 1 : 59 in the track a rich synthesizer bass sound is introduced which gets brighter throughout the track in a very throaty vowel-like way, a signature sound that only could be achieved with the Korg PS-3300 Resonators back in the 70s.
12. The lines " If you're fond of sand dunes and salty air, / Quaint little villages here and there . . . " sung in Page's multi-tracked close-harmony, are repeated over and over, with the addition of synthesizer bass, slowed-down drums and a bluesy trombone solo to produce a chill-out track.
13. All guitar-like parts were handled by Hancock on his first two albums with the group, with one exception : the " rhythm guitar " heard interacting with Hancock's synthesizer bass early in the track " Chameleon " is Jackson playing in the upper register of the bass guitar, as pointed out by Steven F . Pond in his book " Head Hunters " ( 2005 ).
14. The sound became more technological with the use of synthesizers and dual bass lines ( synthesizer bass by Blue Weaver and bass guitar by Maurice Gibb ) on many of the songs, which came about after Weaver overdubbed a synthesizer bass line on the original demo of " Jive Talkin'. " Weaver later commented that " nothing new has been invented to make such a tremendous difference to the sound as the synthesizer did, compared to an orchestra ."
15. The sound became more technological with the use of synthesizers and dual bass lines ( synthesizer bass by Blue Weaver and bass guitar by Maurice Gibb ) on many of the songs, which came about after Weaver overdubbed a synthesizer bass line on the original demo of " Jive Talkin'. " Weaver later commented that " nothing new has been invented to make such a tremendous difference to the sound as the synthesizer did, compared to an orchestra ."
16. A sample of Patti Page's " Old Cape Cod " forms the basis of the song : the lines " If you're fond of sand dunes and salty air / Quaint little villages here and there ", sung in Page's multi-tracked close-harmony, is repeated throughout the song, with the addition of synthesizer bass, slowed-down drum programming and a blues-style trombone solo to produce a more chill-out track.